Posts Tagged ‘procion’

To Dye For 2010: Back on the wagon

Thursday, July 15th, 2010

I am clearly wanting to “do it right” this year, compared to last year’s impulsive dive into dying. I’m not sure why, but i’ve put more deliberation into this than…. Well, i’m not sure what, when measuring duration of planning to duration of actual work. Beam time on the Michigan State cyclotron is about the only thing that comes to mind.

I’m calculating how much dye i need. I’m deploying all the blanks into target containers. I’ve documented the techniques i want to try. Am i killing all sense of serendipity, spontaneity? Am i scared of the dye?

Not sure. Tomorrow morning will tell!

…wait…

So i tried making the dyes just at dusk, and i must say, i feel like i am missing dye. I seemed to just barely have 3 tbsp of purple dye, and that’s what i put in the 2c container
for the purple; i only made one red cup and one brown cup. I feel like i must have a unit wrong somewhere, but all the checking i’ve validates the concentration recipe.

Plans — from before the dye limits were observed — after the cut. (more…)

To Dye For 2010: Initial Planning

Monday, April 5th, 2010
2010-CardiganDesignPages02

I’ve purchased three remaindered white 100% cotton jersey cardigans from Lands End and have an order to Dharma in my queue for t-shirts and a dress to pair with the cardigan. My dye choices from last year are rather bright and bold: and i realize i’ve yet to experiment with the brown and red dyes to see how they behave.

This weekend i spent some time with Photoshop and some random models from the web to see how my color choices might play out. I’m not entirely sure i would wear the brown-purple cardigan over the green and red shells, but i have an idea of what it might look like now. I also must recognize that if i were to over dye the brown purple with the green, i’d end up with something different from the emerald. I can’t be sure that the colors will simply be an translucent blend as with photoshop: my experiments with acrylic pigments have given me a good sense for how pigments don’t mix the same way the colors of light do.

Then there’s the way the dye takes to different fibers: depending on how the cotton has been treated the color may take with a vibrancy or a more faded tone: last year’s yarn experiments with mercerized cotton crochet thread and cotton yarn show the variations behind the cut.

No matter how “unexciting” one-tone dying is, i think i will make a simple red twin set and green twin set just for practical use. … I note that the low water immersion method i’d use is doesn’t exactly produce “simple,” and perhaps by the time i get to the green i’ll be more ambitious.

Then i’ll get adventurous with the brown purple pairing: this is because i have a variety or purple tops already (some of which are faded and i’ll experiment on as well), and some brown clothing items, so trying for a sophisticated multi dye process with this palette will be a pleasant adventure.

After the cut, the beginning of my 2010 dye plans, to be updated over the next few weeks.
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Yuletide Experiment, to dye for

Saturday, December 5th, 2009

We’re planning on giving Heifer International’s gift of a llama to our family this year. I’d like to make something, too, and had been thinking about finally getting back to my dying projects and making up some shibori handkerchiefs for friends and family. Dharma Trading Company also has alpaca yarn: #YARN24 Alpaca Lace: 100% superfine alpaca, ~8 oz., 2,480 yds

I haven’t used my fire red dye yet. Hmmm. On the other hand, this angel pattern [Ravelry] is perfect for white yarn. But then there will be over a thousand yards left, surely.

Iowa weaver’s notes about dying wool with procion dyes got my attention. She links to this PDF instruction sheet, skipping the same mysterious special wool ingredient, using vinegar as i would. Dharma’s method is altogether different.

I also think i could stand to experiment with the silk ribbon and the mohops. Perhaps it will be a mistake, but i’m going to give the bias cut ribbon a try first. (Will it pull apart under the tension?)

Links to shibori sites after the cut. (more…)

To Dye For: Experiment #2

Monday, July 27th, 2009

Yesterday i tested the same dye concentrates as in To Dye For Experiment 1, but many weeks older. The statements are that the concentrates keep their strength for a week, possibly longer if refrigerated.

I’ll admit i did not bring the dyes up to room (deck) temperature. Both the azure & the emerald should have better intensity with warmer water. I’ll admit, though, the azure is doesn’t need to be more intense.

A, B, & C are attempts at diluting the dyes to get a pale shade. The emerald C seems almost the same intensity as full strength I.

D, F, & H are from the previous dye sessions, as controls to see how the color changed with time.

G, the orchid, stayed close to true with time. E, the blue, lost its strength, which is actually quite useful. I, the emerald, seems to have not just faded but also drifted some. The emerald dyebath was the first yesterday, so i don’t think it’s a contamination issue.

A, G, & I are also attempts at "faux ikat dyeing," inspired by Linda La Belle’s The Yarn Lover’s Guide to Hand Dyeing.

(Click through to see the threads from experiment #1)

To Dye For: Experiment #2

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To Dye For: Experiment #1

Sunday, July 5th, 2009

To Dye For: Experiment #1

To Dye For: Experiment #1To Dye For: Experiment #1To Dye For: Experiment #1To Dye For: Experiment #1

Began making up dye on Friday and dyed off and on on Saturday.

After the cut, reports on the yarn & thread experiment and the glue resist experiment.
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Notes From Color By Accident & elsewhere

Friday, June 26th, 2009

My first post about dyeing fabric is here. I requested a couple books from the library via ILL that weekend, including Ann Johnson’s Color By Accident. Much of her text is about color mixing: it may be an interest i grow to have, but it’s not where i’ll start. I’ve selected preblended colors from Dharma. AJ’s text has some interesting instruction on the techniques of low water immersion dying, though, so i’ve taken notes on her technique (after the cut) and will annotate over time with other references.
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Dyeing crochet thread: a plan

Thursday, June 25th, 2009

My general plan for dying samples of each yarn is to explore the variations of two different “prep” methods and graduated variation in dye bath time. (I’m curious about going in dry — i may make some swatches to test that, too.) My hope is that not only will i have a good guide to getting the effects i wish, but also a collection of graduated yarns with which i can make an interesting object. The size of the samples will vary: one size that is long enough for making motifs up, another that is just swatch size. Most skeins/samples will be in groups of six, to measure the effect of dye times over ten minute intervals for a maximum of one hour.

Once “note” for this test is that i am using pre blended colors: i understand from my reading that the components of the colors can have different uptakes with time. If there is a fast reacting color (say red) and a slow reacting color (say blue), the first item in may pull a larger ratio of the faster reacting dye out of the dyebath than later elements. It’s possible i’ll see color shifts as well as gradations.

I’ve been working on this post in draft mode, but now that i’ve ordered the dye, i’ll post & keep updating as i prepare the skeins & swatches.

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